In August 2017, I chose Camilo Najar, known as Son of Sodom in the social networks, to be the main character of my first feature film. That casting delved around his life, his sexuality, the future he saw for himself and drugs. A week later, aged 21, he died from a heroin overdose. Who was Son of Sodom?
The youngest daughter of a family of sloths rebuilds her parents' and three siblings' story. Behind the human normality of a family, the wild spirit appears in everyday life's details, turning everything into untameable memories.
On the foggy slopes of mysteriously deserted roads, Deivis, an isolated teenager finds an accidented body. A young man that belongs to the world of the dead, will be the only bridge to find a group of people that will put an end to his loneliness. The longing for a new family as a dream of times gone by.
This Mockumentary is the appropriation of a war archive that narrates the story of Colombia’s invasion of China. The facts of this “false story” are developed by a woman, a fictional character who narrates from her own experience the event that apparently took place in 1984. This fiction is built from the relationship between symbols such as nationalism, heroism, homeland decay, and the subjective and narrative representation of the Colombian armed conflict.
Diego lives with his father in a house without things, without furniture, without anything. One day he finds a chair deep in the woods and desire of possession arises. Diego takes the chair back home but the father disagrees and orders him to return it. Atnight, the father recognizes the boy ́s feeling of dearth and allows Diego to bring the chair again. Diego returns to the forest but something has happened, something really big. He can ́t bring the chair this time.