PSAROKOKALO
Magazine
THE RITUAL OF DEPARTURE
Inside Eleni Vergeti’s ‘Wild’
A claustrophobic hotel room, a burnt forest, and the quiet act of rebirth. Director Eleni Vergeti and actor Ariane Labed unpack the visual architecture of grief, body language, and female liberation.
THE ABSURDITY OF THE PERFORMATIVE MALE
Antonio Donato’s ‘Oh Boys’
Misplaced pride, high-stakes ping-pong, and the unbearable weight of trying to impress. Director Antonio Donato dissects the performative male ego and the liberating rhythm of stepping out of the race.
THE ARCHITECTURE OF ERASURE
Sudarshan Sarjerao Sawant’s ‘Lost Songs of Sundari’
Submerged myths, monolithic bridges, and the quiet violence of modern expansion. Director Sudarshan Sarjerao Sawant dissects the casualty of urban progress and the fragile acoustic memory of a sea that refuses to forget.
THE RECLAMATION OF THE FRAME
Inside Christopher Radcliff & Cathy Linh Che’s
‘We Were The Scenery’
A degraded VHS tape, an epic film set, and the quiet act of historical reclamation. Director Christopher Radcliff and writer Cathy Linh Che unpack cinematic erasure, intergenerational memory, and the power of the family archive.
THE MIRAGE OF SANCTUARY
Karim Huu Do’s ‘Ne Me Quitte Pas’
Colonial shadows, a Mediterranean refuge, and the inescapable weight of history. Director Karim Huu Do unpacks the visual architecture of memory, the illusion of escape, and why true peace requires facing the truth.
THE GEOMETRY OF COLLAPSE
Inside Daniel Brandt and Anthony Dickenson’s 'Without Us'
Urban fate, algorithmic despair, and the fragile architecture of eco-anxiety in a modern, restless Athens.